The third edition of John Brady’s This & That. zine reached my mailbox this week. As I read through it, I thought about the slower pace of communication from the past. In the book Of Human Bondage by W. Somerset Maugham, the residents of a small British town at the turn of the 20th century share a newspaper, each taking shifts throughout the day.

Soon after breakfast Mary Ann brought in the Times. Mr. Carey shared it with two neighbours. He had it from ten till one, when the gardener took it over to Mr. Ellis at the Limes, with whom it remained till seven; then it was taken to Miss Brooks at the Manor House, who, since she got it late, had the advantage of keeping it.

There’s something quaint and romantic about having such little and proscribed access to information. It’s almost the exact opposite of what we have today, with the glut of news and entertainment that we can barely hold off.

I came across Of Human Bondage by way of the original film adaption of the novel (which is in the public domain). It looked interesting when I was browsing through Tubi. Tubi autoplays movies when you click on the title, even if you only intended to get more details. Once the film started, I was quickly drawn in. I like Leslie Howard and this was the film this is widely regarded as having made Bette Davis a star. You get a sense as to why in the infamous scene in which Davis chews through the scenery like only she can after Howard’s character, Philip, tells her she disgusts him.

Of Human Bondage - “Wipe my mouth” (YouTube)

My wife was distracted by Davis’ intermittent cockney accent in the scene, but as The Radio Times Guide To Film puts it, “Bette Davis proves her credentials in this latter role, offering a nuanced portrayal that rises above her cockney accent.”¹

It’s now mockably trite to say the book is better than the movie, but in this case, you could argue that is objectively the case. The events depicted in the movie don’t even begin until a full 40% of the book is complete. The emotions that are either unexplored or inexplicable on the screen come through more fully realized on the page.